Mods (
modblob) wrote in
redshiftlogs2020-03-20 08:44 pm
Entry tags:
- !mod post: intro mingle,
- assassin's creed: jacob frye,
- assassin's creed: ratonhnhakéton,
- borderlands: angel,
- homestuck: aradia megido,
- hunger games: annie cresta,
- hunger games: finnick odair,
- mcu: peter parker,
- original: carlisle longinmouth,
- original: elleru,
- original: rey,
- overwatch: genji shimada,
- poison: poison,
- red dead redemption: arthur morgan,
- red dead redemption: charles smith,
- samurai jack: scaramouche,
- transformers prime: starscream,
- warm bodies: julie grigio
march 2020. welcome to the void.
Who: Everyone in Anchor.
What: Seventh Introductory Mingle
When: The Month of March 2020
Where: Around and outside the city.
Warnings: Please add any warnings in the subject lines.

What: Seventh Introductory Mingle
When: The Month of March 2020
Where: Around and outside the city.
Warnings: Please add any warnings in the subject lines.

Redshift: Welcome to the v͖͕̺̲̘̱̜͎o̴̦̣̠̦̘̹͞i̯̖d̛̪̬͈̱̦̝͍̕.
Click here to read what characters will experience when arriving in Anchor.
a. escape the dome.
It seems the mysterious, massive plant with its giant bud is not going anywhere. In fact, the bud is starting to bloom, which presents a problem - it's starting to press against the dome that protects Anchor. So far, no harm done, but is this really the best way to test the kind of pressure that the dome can withstand? There's got to be some way to bring the plant down without destroying chunks of Anchor in the process...
And uh, you might want to get on that. The plant has been growing, sending out thorny vines into the various levels, and the flowers growing from those vines are, shall we say, aggressive. In fact, they're liable to bite if you get too close, and these things have razor-sharp petals. More eerily, they can mimic the voices they hear, usually using those borrowed voices to beg for help at the end of long corridors or in the back rooms of abandoned shops and restaurants.
And uh, you might want to get on that. The plant has been growing, sending out thorny vines into the various levels, and the flowers growing from those vines are, shall we say, aggressive. In fact, they're liable to bite if you get too close, and these things have razor-sharp petals. More eerily, they can mimic the voices they hear, usually using those borrowed voices to beg for help at the end of long corridors or in the back rooms of abandoned shops and restaurants.
b. planetary fly traps.
Following the voices can get a body in all kinds of trouble, because, well. They want to eat you.
In those dark areas where the voices call out there are larger buds, too, ones that look similar to the one now pressing up against Anchor's dome. They're about twice the size of an average human, and they've just barely opened. The colors inside are brilliant, gorgeous, mesmerizing, kind of exhausting... Get too close, and you could find yourself being slowly dragged in through the mouth of the plant into a bath of liquid that saps your energy while also slowly (very slowly, don't worry) consuming your flesh.
Better hope you snap out of it quickly, or have some backup to get you out of there.
In those dark areas where the voices call out there are larger buds, too, ones that look similar to the one now pressing up against Anchor's dome. They're about twice the size of an average human, and they've just barely opened. The colors inside are brilliant, gorgeous, mesmerizing, kind of exhausting... Get too close, and you could find yourself being slowly dragged in through the mouth of the plant into a bath of liquid that saps your energy while also slowly (very slowly, don't worry) consuming your flesh.
Better hope you snap out of it quickly, or have some backup to get you out of there.
c. misfire mayhem.
In case that wasn't enough, there's something funny going on with the comm system again. Texts being sent to the wrong people. Simple things, small things, yes, but also some things that you might have wanted to keep private or off the network. The misfires start on the morning of the 20th with just a few texts going to the wrong recipients, but slowly amps up throughout the day until voice and video calls are connecting to the wrong people. Recordings of conversations, including the audio and video ones, getting sent to completely unrelated residents, regardless of how private the conversation was.
The reason for the malfunctions becomes... well, clear-ish when Creepy Joe appears on the network. He’s in the agricultural sector, petting a reindire and very much not in that secure quarantine where Qubit et all left him. The angle is odd--not from a communicator, but from one of the security cameras overhead. It blinks from one shot of Joe to another angle. Almost like someone is trying to keep an eye on him.
The reason for the malfunctions becomes... well, clear-ish when Creepy Joe appears on the network. He’s in the agricultural sector, petting a reindire and very much not in that secure quarantine where Qubit et all left him. The angle is odd--not from a communicator, but from one of the security cameras overhead. It blinks from one shot of Joe to another angle. Almost like someone is trying to keep an eye on him.
mod notes.
Misfire texts, voice, and video conversations are on an opt-in basis, it is up to each player if they want their characters tormented with their messages being sent to others or receiving misfires. Misfires can be played on this log, on the network, or in IC inboxes.
The NPC network entry will explain some details on why, but characters who were kind to Creepy Joe or who have put in a lot of effort to contribute to the community will find that their messages are getting misfired much less often and the contents are nowhere near as sensitive. Characters who were cruel to Creepy Joe or who have hurt/stolen from others will find their messages going astray more often, and with more sensitive material.
Messages received by characters can include any message posted in
redshiftrp or in IC inboxes, including messages from dropped characters. Have fun with that!
Important but Unrelated: March and April have been designated as check in only for AC. If you have not yet posted your AC, feel free to just put a check-in notice under your character's AC thread. April check-ins can be posted any time on or after April 1st.
The NPC network entry will explain some details on why, but characters who were kind to Creepy Joe or who have put in a lot of effort to contribute to the community will find that their messages are getting misfired much less often and the contents are nowhere near as sensitive. Characters who were cruel to Creepy Joe or who have hurt/stolen from others will find their messages going astray more often, and with more sensitive material.
Messages received by characters can include any message posted in
Important but Unrelated: March and April have been designated as check in only for AC. If you have not yet posted your AC, feel free to just put a check-in notice under your character's AC thread. April check-ins can be posted any time on or after April 1st.

Arthur Morgan // OTA
[ The first exposure to the volatile plants for Arthur is in the plaza outside the park. The agricultural level is a lot more green, but it doesn't have a huge plant growing in it, which is kind of interesting.
Interesting, until one of its vines latches onto his boot and he can feel it trying to dig its teeth in. ]
What the f--?
[ He yanks his foot free and takes a few stumbling steps back, staring at it in bewilderment as it tries to get at him again. ]
The hell is that?
B.
[ Then, on the mid levels, he stops abruptly when he hears a familiar voice - Charles - calling for help from within one of the abandoned shops. Even though his heart skips a beat and he tenses, instinctively on guard, he doesn't react immediately, his hand hovering over his gun as he squints at the doorway.
That doesn't seem right. What would anyone be doing in there? Hoping that there's anything edible at all and then getting jumped by a vicious plant? ]
C. Wildcard
B
But not in any way that makes the situation simpler.
What appears instead is a wolf, almost as large as a pony, its weight thudding softly against the floor as it paces forward. But its eyes are not on Arthur. Instead it stares ahead at the darkness of the abandoned shop, growling soft in the back of his throat.
Bad. Whatever is in there is bad. Wrong. Threat. ]
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Only the wolf doesn't attack. Even if it's clearly agitated, on edge, it's ... staring straight into the shop.
So there is something in there?
He has no idea what's happening, but a giant wolf that seems to have no intention to attack him is far from the strangest thing that's happened to him lately.
Dying and yet not dying still tops that list.
Well. He's not sure what to do, expect ... treat this wolf like a dog? Dogs were supposedly wolves once. ]
What is it, boy?
[ His gaze flickers briefly towards the doorway, but he's not ready to take his eyes off the giant predator yet. ]
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[ What answer were you really expecting, Arthur?
Lips drawn back to bare teeth, it snarls as that voice echoes from just beyond sight -- I'm stuck! Is anyone out there? -- and it seems to place itself between Arthur and the doorway to the abandoned shop. Like he's trying to shield him from whatever is in there.
But beyond that, the wolf hasn't really paid him much mind, staring ahead at the real threat. He knows Arthur, knows his scent, knows that he is Pack and to be protected. That's all that matters.
And Arthur might have a chance to see that the wolf bears a few familiar scars. Though who would honestly make the connection, at first? ]
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He's only further confused by the wolf stepping in front of him like that, as though it knows he's thinking about going in there against his better judgement. He stares at it in bewilderment long enough to notice the scars, but does indeed not make the connection.
Instead, he lifts his gaze again, and calls into the darkness. ]
Charles?
[ It seems to take a moment or two longer than it should to get a response, and it's not so much a response either. Just another basic call for help. Which is strange, but does that mean he should leave it? He doesn't think so. On the slim chance that Charles is actually in trouble ...
So he tries to step around the wolf. ]
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As Arthur starts to follow that call, the wolf growls again. Less aggressive and more confused, a whining huff as he turns his head to try and nudge Arthur back. No. Bad! Doesn't he see? Can't he tell what's in there? The smell of it creeps out even now, a vicious green scent invading the nostrils.
He can't very well protect him if he's just going to wander in like some curious pup. ]
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I can at least have a look. I'll be careful.
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Something in that room beyond shuffles, rubble shifting under the weight of whatever movement was happening, but it was still far too dark to see. The wolf doesn't need to see, it smells, it knows, and it wants its Pack nowhere near that mess. ]
no subject
Well, now he doesn't know what to do. ]
What the hell. You can understand me?
no subject
That place? BAD. No go.
And then those gold eyes lift once more, staring into his intently, as if intending to will him to turn around and go. ]
no subject
That's my friend's voice in there. My brother. He's real important to me. Just wanna make sure I ... I ain't gone mad.
[ Although he has wondered that frequently the past month or two. ]
no subject
But, when it seems like Arthur won't be budges, the wolf backs down, making an unhappy noise before looking towards the shop. ]
point* not poke smh
It seems it will let him through now after all. He watches it for a moment or two, before finally stepping past, slowly and cautiously making his way past the doorway.
Should have brought a torch or something.
Help! I don't have much time! ]
no subject
The wolf proceeds alongside him, though its head is low and as they draw closer, its fur begins to bristle. The smell once again invades his nose, almost astringent green, and it's doing him no favors.
Still. He's not allowing Arthur to go in alone. ]
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Then he sees the shimmering, the colours, and slows to a stop, eyes widening slightly.
There's no movement in the room otherwise. No sign of Charles. Is this it? ]
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No time for this! He sees it's bad now, yes? They go? Go now? ]
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It's definitely coming from straight ahead. From the plant. ]
Is it ... talking?
[ This is bullshit. ]
no subject
Again the wolf tugs, straining to pull him back further, but a moment later and there's movement. Slithering vines creeping out of the darkness and reaching for both of them. In response, the wolf lets go and snarls at the limbs of this strange, green-smelling foe, before snapping at one that strays a little too close. ]
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The vines are at least familiar enough and Arthur instantly shoots at one of them while he takes several steps back. ]
Come on!
[ Time to get the hell out. ]
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But now he's high-tailing it out of there, and he's not about to stop right outside the store either. He doesn't have anything to use to set fire to the thing, so he'd like to put a good distance between himself and the damn vines. ]
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A!
I said no!
[She's apparently been at this a bit, if the way her bare feet are bleeding and the razor-sharp petals attached to her hair and clothes are any indication. She lets out an animalistic hiss as she pulls the vine back, scraping it along the ground with her foot; it splits and tears it apart, though just how when she doesn't seem to have anything sharp down there is anyone's guess. Someone with a keen eye may see there are definite clawmarks in the grass, gashes where her toes had just been.
Another vine heads their way, and she's just going to try to pick Arthur right up off his feet to keep them from reaching him. He might want to be quick if he doesn't want to get hoisted into the air by a lady with a real hatred for these aggressive plants.]
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It's also the reason he's not quick enough to react when she moves to pick him up. ]
H-hey!
[ ????? What is happening. ]
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They are all over the park! [She rips one vine on her leg apart with her bare hands, but more are coming.] Coming from the ground, vile things!
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He's confused for a moment, but that's over quickly when he feels himself hit the floor hard, and gives a grunt of pain at the same time as instinct has him stumbling back onto his feet. He pulls his arm free from a vine, and then reaches out to take hold of Elleru's arm to try to haul her onto her feet. ]
Where else would plants be coming from?
[ Never mind that they shouldn't be doing this in the first place, in his opinion. ]