Mods (
modblob) wrote in
redshiftlogs2020-03-20 08:44 pm
Entry tags:
- !mod post: intro mingle,
- assassin's creed: jacob frye,
- assassin's creed: ratonhnhakéton,
- borderlands: angel,
- homestuck: aradia megido,
- hunger games: annie cresta,
- hunger games: finnick odair,
- mcu: peter parker,
- original: carlisle longinmouth,
- original: elleru,
- original: rey,
- overwatch: genji shimada,
- poison: poison,
- red dead redemption: arthur morgan,
- red dead redemption: charles smith,
- samurai jack: scaramouche,
- transformers prime: starscream,
- warm bodies: julie grigio
march 2020. welcome to the void.
Who: Everyone in Anchor.
What: Seventh Introductory Mingle
When: The Month of March 2020
Where: Around and outside the city.
Warnings: Please add any warnings in the subject lines.

What: Seventh Introductory Mingle
When: The Month of March 2020
Where: Around and outside the city.
Warnings: Please add any warnings in the subject lines.

Redshift: Welcome to the v͖͕̺̲̘̱̜͎o̴̦̣̠̦̘̹͞i̯̖d̛̪̬͈̱̦̝͍̕.
Click here to read what characters will experience when arriving in Anchor.
a. escape the dome.
It seems the mysterious, massive plant with its giant bud is not going anywhere. In fact, the bud is starting to bloom, which presents a problem - it's starting to press against the dome that protects Anchor. So far, no harm done, but is this really the best way to test the kind of pressure that the dome can withstand? There's got to be some way to bring the plant down without destroying chunks of Anchor in the process...
And uh, you might want to get on that. The plant has been growing, sending out thorny vines into the various levels, and the flowers growing from those vines are, shall we say, aggressive. In fact, they're liable to bite if you get too close, and these things have razor-sharp petals. More eerily, they can mimic the voices they hear, usually using those borrowed voices to beg for help at the end of long corridors or in the back rooms of abandoned shops and restaurants.
And uh, you might want to get on that. The plant has been growing, sending out thorny vines into the various levels, and the flowers growing from those vines are, shall we say, aggressive. In fact, they're liable to bite if you get too close, and these things have razor-sharp petals. More eerily, they can mimic the voices they hear, usually using those borrowed voices to beg for help at the end of long corridors or in the back rooms of abandoned shops and restaurants.
b. planetary fly traps.
Following the voices can get a body in all kinds of trouble, because, well. They want to eat you.
In those dark areas where the voices call out there are larger buds, too, ones that look similar to the one now pressing up against Anchor's dome. They're about twice the size of an average human, and they've just barely opened. The colors inside are brilliant, gorgeous, mesmerizing, kind of exhausting... Get too close, and you could find yourself being slowly dragged in through the mouth of the plant into a bath of liquid that saps your energy while also slowly (very slowly, don't worry) consuming your flesh.
Better hope you snap out of it quickly, or have some backup to get you out of there.
In those dark areas where the voices call out there are larger buds, too, ones that look similar to the one now pressing up against Anchor's dome. They're about twice the size of an average human, and they've just barely opened. The colors inside are brilliant, gorgeous, mesmerizing, kind of exhausting... Get too close, and you could find yourself being slowly dragged in through the mouth of the plant into a bath of liquid that saps your energy while also slowly (very slowly, don't worry) consuming your flesh.
Better hope you snap out of it quickly, or have some backup to get you out of there.
c. misfire mayhem.
In case that wasn't enough, there's something funny going on with the comm system again. Texts being sent to the wrong people. Simple things, small things, yes, but also some things that you might have wanted to keep private or off the network. The misfires start on the morning of the 20th with just a few texts going to the wrong recipients, but slowly amps up throughout the day until voice and video calls are connecting to the wrong people. Recordings of conversations, including the audio and video ones, getting sent to completely unrelated residents, regardless of how private the conversation was.
The reason for the malfunctions becomes... well, clear-ish when Creepy Joe appears on the network. He’s in the agricultural sector, petting a reindire and very much not in that secure quarantine where Qubit et all left him. The angle is odd--not from a communicator, but from one of the security cameras overhead. It blinks from one shot of Joe to another angle. Almost like someone is trying to keep an eye on him.
The reason for the malfunctions becomes... well, clear-ish when Creepy Joe appears on the network. He’s in the agricultural sector, petting a reindire and very much not in that secure quarantine where Qubit et all left him. The angle is odd--not from a communicator, but from one of the security cameras overhead. It blinks from one shot of Joe to another angle. Almost like someone is trying to keep an eye on him.
mod notes.
Misfire texts, voice, and video conversations are on an opt-in basis, it is up to each player if they want their characters tormented with their messages being sent to others or receiving misfires. Misfires can be played on this log, on the network, or in IC inboxes.
The NPC network entry will explain some details on why, but characters who were kind to Creepy Joe or who have put in a lot of effort to contribute to the community will find that their messages are getting misfired much less often and the contents are nowhere near as sensitive. Characters who were cruel to Creepy Joe or who have hurt/stolen from others will find their messages going astray more often, and with more sensitive material.
Messages received by characters can include any message posted in
redshiftrp or in IC inboxes, including messages from dropped characters. Have fun with that!
Important but Unrelated: March and April have been designated as check in only for AC. If you have not yet posted your AC, feel free to just put a check-in notice under your character's AC thread. April check-ins can be posted any time on or after April 1st.
The NPC network entry will explain some details on why, but characters who were kind to Creepy Joe or who have put in a lot of effort to contribute to the community will find that their messages are getting misfired much less often and the contents are nowhere near as sensitive. Characters who were cruel to Creepy Joe or who have hurt/stolen from others will find their messages going astray more often, and with more sensitive material.
Messages received by characters can include any message posted in
Important but Unrelated: March and April have been designated as check in only for AC. If you have not yet posted your AC, feel free to just put a check-in notice under your character's AC thread. April check-ins can be posted any time on or after April 1st.

no subject
And that's something that frustrates Elleru in a way that's largely foreign to her. She's used to knowing what she wants, and taking steps to get there; however, with Rey, her future is not so certain. What she has with Scaramouche is unique, but it feels like more of a game between the two of them, a mutual adventure based in sensual physicality rather than complex emotions; she could flirt with half the population of Anchor all day, liking each and every upright in their own way. Each one is special, and the potential between themselves and her endless.
But it's different with Rey, and she's not entirely sure how. Rey feels like she needs her most of all: not as someone who is weak in need of protection, or as one who needs help in finding something or learning a new skill, but as a person who needs help finding herself as much as Elleru does. What is it they both want out of life, and out of Anchor? And most importantly, out of each other?
If only such reflective topics were covered in her romance novels. Maybe if one of them was a werebear, this would make more sense.
"I am not sure how to go about it in the right way," she continues.
no subject
"Well, that makes two of us. Was never any good with that stuff, and... the last and only attempt didn't go very well," Rey says flatly between sips. "Not that it was her fault."
Far as she is concerned, the fault all lied with Rey, who couldn't seem to figure out what to do with her feelings or how to place them. Even when they were briefly reciprocated, it was fleeting and chaotic, and she has the scars to show for it.
In truth, it never seemed like there was going to be a good time. Having never had feelings like that towards anyone else before, Rey had resigned herself to the idea that it would be selfish for her to want anything like that from anyone. Who is she to enjoy the happiness of companionship when she had taken it away from so many? Snuffed out their lives without a care of what she was truly doing it for?
On that thought, she finishes her glass.
Yup, feelings suck.
no subject
"I answered your question," she states, "and now you will answer mine. I said I want more than friendship with you. I want to know how it is you feel about me."
That's not a question, but at no one can say she doesn't get right to the point.
no subject
"You've been... very kind," she finally says, feeling her jaw clench as though she's fighting her own body to speak. "You provide a lot of attention. Have rarely been doted on by anyone before, but the few who have were hurt, very much. You seem too nice a person to go through that hurt."
How magnanimous of her, right? How altruistic and selfless, to ferry someone's feelings off so that they could move on to someone, maybe more deserving than herself.
But something else creeps up from the back of her throat, forming the words again.
"Even still, the only alternative is loneliness. Don't want to be alone. It hurts." Her fingers close around the champagne glass as her eyes narrow. "And... when it seemed like you were planning to spend time here with someone else, that maybe you got sick of me and didn't want me around anymore, it felt... painful."
That last word is lifted like a half-question in itself, as though Rey knows that that isn't the right description but she doesn't know how else to say it out loud. Was she really worried about being left out? Was it jealousy? Did she really fear what would happen if Elleru decided to move on to someone else? Why did this emotion feel like poison?
no subject
"If I did not want you around, I would say so," Elleru reassures, adjusting herself on the seat. She leans closer, her glass between both her hands as she fiddles with it idly — almost nervously. "What I have with others is not the same as what I have with you. You are... special to me. I do not mean to hurt you. I would never mean to hurt you."
Her voice drops to barely a whisper as she tilts her head. "If you want to be with me, you need only say so."
And with that, she closes the gap between them.
no subject
What she can be certain is that she doesn't share the same promise as Elleru's. While her immediate instinct is always to lash out, bite, be spiteful and abhorrent... Sure, it it would have made things easier in her mind, but it'd also be much lonelier.
Shoulders sinking, her fingers clench tighter around the glass as Elleru closes in. There are various ways of interpreting those words, 'be with me', and yet her actions only indicate one thing.
Abandoning all thought up to that point, Rey leans forward as well, meeting Elleru halfway to draw her lips against the other woman's, much like they have once before.
no subject
Though she can feel her heart starting to race, Elleru pauses, giving Rey a sultry look as she invites her to have another kiss. She doesn't pull away, clearly wanting Rey to initiate it this time.
no subject
But here she is, exhaling as she cants her head against Elleru's hand, before being drawn back into another kiss. The next is not so immediate, leaving Rey to seek Elleru's lips this time. She senses the invitation and she doesn't hesitate for once.
Heat radiating from her body, Rey reels in closer to Elleru, her breath catching in her throat between kisses.
no subject
She rests a hand on Rey's thigh, the other slipping from her face down to her shoulder as she gives Rey a gentle push, encouraging her to lean back against the arm of the loveseat. Her kisses trail down her jaw toward her neck, stopping at the scar there to give it playful nip.
no subject
Right now, she just tilts her head back, exposing more of her throat to Elleru. Rey can't help but shiver under the other woman's touch, though it's not as unpleasant as she used to think it'd be.
"Ah!" She gasps, bringing one hand to Elleru's shoulder and the other curling through thick magenta hair. "Seems like... you know what you're doing..."
Was it ever a question?
no subject
Adjusting herself so she's leaning over Rey, Elleru lets that stole slide off just a little bit more — the strap of the dress she's got underneath, as well. "I know what I like," she whispers, the light on the ceiling behind her diffusing through her vibrant hair, seeming to color the air around her.
no subject
Her face is heated, too. Those scarred cheeks reddened even when Elleru pulls away to bear down over Rey. Her breath catches at the way the light halos around Elleru's head, and Rey slides her fingers from that hair to the other woman's cheek.
She's still figuring out what she likes. But if the heat in her stomach says anything, it's that she doesn't dislike this. She doesn't dislike Elleru's forwardness, going for what she wants.
"You're... really pretty," Rey blurts, her expression softer than she usually allows.
no subject
"I know," she coos, leaning closer; her hair slips from around her shoulder, her long locks like a curtain to hide them both from the world as they frame her face. With a delicate touch, she slides her hand along the front hem of Rey's shirt, tracing the muscles of her abdomen with her nails. "But you may tell me again."
no subject
"You're really fucking pretty," she obliges, her breath catching when she feels Elleru's nails gliding across the firm skin of her abdominal muscle. Her legs tangled with the other woman's, Rey arches her back against that touch. "You could... use your nails more."
She admires the way Elleru keeps herself groomed to perfection; she would like to feel that.
no subject
And then, as though to punctuate that kiss, she presses just a little harder with her nails — not too hard, as she's aware her claws can be deceptively sharp, especially in her upright guise, but just enough that Rey should feel some pain to mingle with her pleasure. She rakes along Rey's stomach, letting her nails catch teasingly on the waist of her pants.
"Like this?"
no subject
"Yes, like th-- Feels good," she pants, lightheaded and studying Elleru with a half-lidded look. She pushes a stray mahogany strand of hair behind her ear. "S... Sorry, still... trying to figure out what feels right."
no subject
"Do not apologize," she murmurs, tracing the curves of Rey's abdomen with her fingers. Elleru's middle is soft by comparison; Rey's has such definition between her muscles, creating little grooves and hollows for her hand to follow.
"I did not know what I wanted at first, either," she admits. "It can be... intimidating, not knowing about yourself and what feels good to you. It can also be exciting to explore that with someone else."
She pushes herself back up, letting her hair fall around her face once more. She cocks her head toward the steaming bath, its extra space and soothing heat inviting.
"We could explore together, if you want. You may trust me to be gentle..." Her brows tighten just a fraction, her lips curling into a mischievous smirk. "Unless you do not want me to. Only you may tell me."
no subject
When she blinks, and the light frames Elleru into focus again. She realizes her mouth is dry; she licks her lips before biting the inside of her cheek, fighting to let her doubts out but not at the cost of losing something else.
Because she wants it. She doesn't even know why, but she wants it. Elleru's eyes all but lights up, brilliant in hue within the room, and she is beautiful. God, she's so beautiful.
"What... are we?" Rey finally asks.
After all, this scene wasn't originally meant for her, was it? Which means Elleru had someone else in mind. Would it be wrong to take that opportunity for herself, if other prospects were available?
Remembering that certain phrases tend to get lost in translation between herself and her roommate, she decides to continue before allowing a mixup to transpire: "Just, can't really tell... if you had someone else in mind when you prepped... that--" She casts a sidelong look at the same steaming, inviting bath as Elleru. "--what does that mean? What does this mean?"
She scoffs despite herself, shaking her head before bringing a hand over her pinched eyes. Her expression scrunches into one of confusion.
"Is... is this normal?"
People can have casual flings, that much is not lost on her. It's just never something Rey saw herself trying to do again. The last time, she wasn't even herself -- she was someone else, and it hadn't ended well. She was scared. A silly cyclic paradox, really, to be scared of being scared...
no subject
"Does it matter that I prepared this for someone else?" she asks quietly, "when I would rather share it with you? Be truthful."
no subject
Biting her tongue at first, she sits upright, propping her elbows over the arm of the chair as she reluctantly looks back to Elleru.
"I just..." She winces, speaking the words she would rather avoid before she can stop herself. No helping it now. "Don't want to be someone's passing fancy, or a fling, or one time thing, or whatever they call it. Something that's just used up and thrown away for something better. Not that I'd blame you..."
Rey knows she's not the best in things where it counts for some people. She's inept with interpreting emotions, what someone wants, and she'd be lying to herself if she said she wasn't afraid of being a disappointment -- though maybe it's a bit late for that.
no subject
"Do you believe that is all you would be for me? A 'passing fancy'? Or that you would be any less of who you are were we intimate?"
She wants to understand — she never views herself as thrown away or less because she has a passionate fling every once in a while with a robot, but this seems to be important to Rey, and so, it is important to Elleru, as well. She's well aware upright relationships are complicated: her books have shown her that time and time again. They often view intimacy and relationships as going hand-in-hand, unlike her own kind.
But one thing isn't all that complicated: her affection for Rey, and her desire to create understanding between the two of them.
no subject
Much as she wants to keep Elleru close, her mechanical heart aches with unpleasant memories that could only sully the moment.
no subject
"If slow is your wish, then slow we will go."
She runs her fingers over Rey's knuckles, her thumb coming across faded scars and callouses from a hard life lived.
"You will have to forgive me if I make missteps — my people and yours, we court one another very differently. Someone who is a 'passing fancy' may come and go, and those you intend to keep are treated differently. But up— but your kind are not like that, are they?"
And if the way Rey believes she'd be nothing more than a passing fancy is any indication, Elleru assumes she likely wouldn't be comfortable with any situation that involves other people, be they robots or otherwise.
no subject
"Wouldn't know. Don't really have a 'people'." Rey shrugs, grimacing. "Know enough that people are different. Some are fine with casual flings, others seem more serious about it. Hell, some even wait until after marriage. That's, um... not really the problem, though."
The problem is trying not to feel guilty over the baggage she bring to the territory if anyone ever even entertains the notion of being 'serious' with her. Not like she's comfortable with the alternative.
no subject
"Then what is the problem, Rrey?" Elleru asks, not shy in the slightest about bringing up what could be heavy baggage. "Speak to me. If you want me, we must be honest with one another."
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